GLITCH KITSCH AND THINGS MOTHER WOULD LIKE

A wall of more than one hundred lemon paintings anchors an exhibition shaped by found beach objects, fruits of the season, gardenscapes, and domestic decoration. Through repetition and accumulation, familiar forms become excessive, artificial, and slightly unstable. Moving between painting, print, sculpture, and installation, the work considers how taste, memory, nature, and desire are collected, arranged, inherited, and transformed.